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    opera.exe

    Opera Rara Kraków 2026 event banner featuring a dramatic classical painting with mythological figures, vibrant costumes, and grand architectural elements, evoking a sense of artistic celebration and cultural heritage.
    opera.exe

    Modern dance, opera deconstruction, female power and rebellion.

    Opera Rara Kraków 2026 event banner featuring a dramatic classical painting with mythological figures, vibrant costumes, and grand architectural elements, evoking a sense of artistic celebration and cultural heritage.
    opera.exe

    Modern dance, opera deconstruction, female power and rebellion.

    Opera Rara Kraków 2026 event banner featuring a dramatic classical painting with mythological figures, vibrant costumes, and grand architectural elements, evoking a sense of artistic celebration and cultural heritage.

    About the event

    🎭 Opera.exe 📅 11.02 Wednesday 19:00 📅 12.02 Thursday 18:00 and 20:00 Cricoteka Creators: - Eryk Makohon: concept, choreography, set design - Piotr Peszat: music - Patrycja Marszałek, Yelizavieta Tereshonok, Agnieszka Bednarz-Tyran, Natalia Myczewska: choreography and performance - Anna Zawisza: aria performance - Weronika Wawryk: multimedia and graphic identity - Izabela Zawadzka: dramaturgical collaboration and production - Krakowski Teatr Tańca: production “Opera.exe” is a performance by Krakowski Teatr Tańca choreographed by Eryk Makohon, which hacks classical librettos and rewrites the fates of opera heroines. From the stories of Medea (Luigi Cherubini), Salome and Elektra (Richard Strauss), and Turandot (Giacomo Puccini), traditionally portrayed as victims of passion, madness, or fate, themes of resistance, emancipation, and radical opposition to the patriarchal order in which they were confined are extracted. The bodies of the performers from Krakowski Teatr Tańca become vehicles of transformation, spaces where old operatic narratives are encoded. Humanoid bots hack opera librettos, trying to go beyond the stories programmed into their systems. The deconstruction of history is reinforced by Piotr Peszat’s music, which uses classical sounds (arias performed by Anna Zawisza) in a modern composition. Fragments of librettos and recognizable motifs become material for deconstruction—a musical palimpsest that resonates with the physical actions of the performers. The performance is funded by the European Union NextGenerationEU under KPO for culture. #NextGenerationEU #FunduszeUE #KPOdlaKultury

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    The purchase of an ad ticket is made on the website of the official ticket distributor. Keep in mind that if the seats are numbered, and the tickets are disputed by several companies, then each of them provides a different pool of seats to choose from

    Location

    Nadwiślańska 2/4, 30-527 Kraków, Poland

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    opera.exe

    Modern dance, opera deconstruction, female power and rebellion.

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