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    Kofman. Double Bind Katarzyna Kalwat

    Solo performer standing center stage in a dimly lit theater, wooden floor and benches behind, cinematic warm spotlight and projection screen suggesting a dramatic theater performance or spoken-word event
    Kofman. Double Bind Katarzyna Kalwat

    Intimate, probing biography-driven drama exploring identity and loss.

    Solo performer standing center stage in a dimly lit theater, wooden floor and benches behind, cinematic warm spotlight and projection screen suggesting a dramatic theater performance or spoken-word event
    Kofman. Double Bind Katarzyna Kalwat

    Intimate, probing biography-driven drama exploring identity and loss.

    Solo performer standing center stage in a dimly lit theater, wooden floor and benches behind, cinematic warm spotlight and projection screen suggesting a dramatic theater performance or spoken-word event

    O wydarzeniu

    Kofman. Double Bind



    Premiere: April 10, 2025

    Upcoming performances: January 30, 31 and February 1, 2026
    January 31 and February 1, 2026 — English subtitles

    Running time: 2 h 15 min (no intermission)

    Performance for audiences 16+



    • war theme
    • coarse language
    • cigarettes
    • sex
    • nudity
    • topic of suicidal death
    • descriptions of violence, including violence against children


    Director: Katarzyna Kalwat



    • Maria Maj
    • Małgorzata Hajewska-Krzysztofik
    • Maja Ostaszewska
    • Jacek Poniedziałek
    • Emilia Mytkowska
    • Katarzyna Duda
    • and the theatre ensemble


    Creators and team:



    • Text: Janusz Margański, Monika Muskała
    • Stage text adaptation: Monika Muskała
    • Scenography: Zbigniew Libera
    • Music: Wojtek Blecharz
    • Lighting direction, film footage: Marcin Koszałka
    • Costumes: Katarzyna Kalwat, Saskia Hellmann
    • Choreography consultant: Igor Shugaleev
    • Architectural development of the scenography concept and its visual realization: Saskia Hellmann
    • Instrumentalist: Kamila Wąsik-Janiak / Katarzyna Duda
    • Stage manager: Marta Śmierzchalska
    • Director's assistant: Maja Wisła-Szopińska


    Co-production: Nowy Teatr, New Epiphanies Festival / Centre for Thought of John Paul II



    Sarah Kofman – a French philosopher, essayist, Sorbonne professor associated with deconstructionism – was a close collaborator of Jacques Derrida and Gilles Deleuze. Despite an impressive scholarly output spanning philosophy, art, psychoanalysis, literature and feminism, she never received her rightful place among the leading figures of world philosophy.



    Analyzing the works of established philosophers and searching in them for what had been repressed, Kofman jokingly said that her biography was, in fact, a bibliography. An important element of her work was the pioneering act of introducing a female perspective into large, male-centered philosophical systems.



    Kofman wrote many books and articles, but only toward the end of her life did she dare to speak about herself: about a childhood stretched between two streets and two mothers — a biological mother of Jewish origin and an adoptive French mother with whom she hid during the war. This “circulation” between rue Ordener and rue Labat became the source of her internal identity conflict.



    The phenomenon of self-creation, considered both as an artistic theme and as a mechanism of social change, is key to understanding the conditions of post-medial society. In her last essay “Lesson of Anatomy” Kofman suggests that learned patterns of seeing in art divert us from what is authentically painful and prompt us to focus on what is conventional and easier to bear. Looking at Kofman’s personal history, we should ask ourselves: what are we actually looking at and whom do we really see?



    The play participates in the 32nd Nationwide Competition for the Staging of Polish Contemporary Drama.



    photo: Bartek Warzecha / bartekwarzecha.com

    Visual identity: Kuki Iwański

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    Lokalizacja

    Antoniego Józefa Madalińskiego 10/16, 02-513 Warszawa, Poland
    Kofman. Double Bind Katarzyna Kalwat

    Intimate, probing biography-driven drama exploring identity and loss.

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