In the next meeting of the “Art on Temptation” series we will look behind the closed doors of paintings. We’ll embark on a journey full of intimate games and furtive glances, where love, desire and secrecy intertwine with everyday life. We’ll start with Netherlandish painting and depictions of women reading letters in domestic alcoves, where every gesture and detail holds its own secrets.
Watteau, Boucher and Fragonard will carry us into a world of love intrigues played out in gardens and the perfume-scented boudoirs of the Rococo. The 19th century will take us to a Paris pulsing with can-can, where performance mixes with intimacy and closeness is put on public display. Finally, contemporary art will show us the image of the lovers. Sometimes it will be, as with Abramović, Nan Goldin or Sophie Calle, a painful, fragile, risky relationship. Sometimes, as in the work of Wilhelm Sasnal, intimacy will be quiet, safe and domestic. The axis of all these narratives will not be the sexual act, but the emotions of the protagonists: their desire, euphoria, tenderness and trust, and sometimes pain, fear and despair.
Everything you’d like to know about temptation but were afraid to ask — past and contemporary art will tell it to you in the first person. These will be stories about great feasts and realms of idleness, tavern brawls and gold fever, and finally about affairs, betrayals and flirtations. From works by the old masters, through film narratives, to stage creations of big pop stars. It will be lively!
Article illustration: Jean-Honoré Fragonard, Les Hasards heureux de l’escarpolette.