pl / ◆ #exhibition I I INTERTWINE YOUR FINGERS WITH MINE

◆ Artists: Alicja Bielawska, Małgorzata Widomska

◆ Opening: 30 November, 5-10 pm

◆ Dates: 30.11-27.19.2024 (Tues-Fri 4-7pm, Sun 11am-2pm)

◆ Organiser / Exhibition venue: Death of a Man, 9 Chmielna Street, Warsaw

◆ Tags: @alicja_bielawska @magorzata_widomska @smiercczlowieka

In the exhibition 'I intertwine your fingers with mine’, Alicja Bielawska and Małgorzata Widomska's works attempt to touch the fixed image. They subject matter to mysterious transformations and provoke the viewer to follow their actions.

◆ Alicja Bielawska (b. 1980) is a visual artist living in Warsaw. She creates drawings, sculptures, installations and writes poetry. Her work focuses on the material sphere of everyday life and the relationship between objects, interiors and memories, touching on the relativity of human perception and the role of memory. human perception and the role of memory. Her art contains elements of choreography and performance.

She is a graduate in Art History (University of Warsaw) and Fine Arts (Gerrit Rietveld Academie in Amsterdam). Gerrit Rietveld Academie in Amsterdam), and a doctor of fine arts (Academy of Fine Arts in Gdansk). She completed a two-level course in experimental choreography at Centrum w Ruchu in Warsaw. She also collaborates on dance performances with internationally renowned choreographers, creating set designs, costumes, sculptural installations. Together with CENTRALA and Aleksandra Kędziorek, she represented Poland at the London Design Biennale 2021 with the exhibition ‘The Dressed Home’. exhibition ‘A dressed home’. She teaches at the School of Form at SWPS University in Warsaw and at the Atelier Foundation in Warsaw.

◆ Małgorzata Widomska (b. 1978) works in painting, painting installation, drawing and, increasingly, writing. Together with Wojtek Gilewicz, Monika Mamzeta, Bartosz Kokosinski, Katarzyna Sobczuk and Agata Groszek, she is co-founder of the collective Inne Towarzystwo. She lives and works in Warsaw. She bases her own creative practice on the conviction that the painting image is a field of work on the meaning of source experience, and that aesthetics, which is a tool for the artist to verify its meanings, can have a role comparable to logic.