In the mythical space of the forest, where a deeply hidden truth about nature and humankind awakens, the action of William Shakespeare’s A Midsummer Night’s Dream unfolds — the comedy that became the basis for Henry Purcell’s semi-opera The Fairy Queen. Musical masques, serving as a counterpoint to the spoken scenes, astonish with brilliance and variety, shimmering with the splendor of baroque compositional technique. Inventive instrumental passages as well as refined recitatives and arias shape an extraordinary world teeming with a profusion of feelings and emotions.
This impressive sonic space provides a framework and starting point for an in-depth interpretation of Purcell’s work directed by Kamila Siwińska, with dramaturgy prepared by Małgorzata Sikorska-Miszczuk. From the charming landscape emerge destructive forces of emotional enslavement and psychological violence, which some confuse with love. Through Oberon, possessing knowledge that enables manipulation of human consciousness, the sudden and unrestrained force of desire and ecstasy overcomes the titular Fairy Queen (Titania) as well as the young lovers — Lysander, Hermia, Demetrius and Helena. On stage, the ancient interpenetrates with the baroque and the contemporary, elevating the quasi-fairy-tale story to a level of universal reflection on the mechanisms of toxic interpersonal relationships. The worlds of ancient myth, Shakespearean drama and the extra-verbal power of musical expression co-create a nuanced and suggestive space for reflections on madness, deceit and “non-love.”
Location: Royal Theatre in the Old Orangery, Łazienki Królewskie Museum in Warsaw
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