Love in Adamczysze. Dance party to the music from the series "1670" If love plays in your heart, but in a somewhat "noble" way, and the dancing spirit of 17th-century fantasy awakens in your hips, we invite you to an evening where the music from the series "1670" meets the lively energy of contemporary masters of the stage. On stage will perform Trio Woźniak / Wachowiak / Kinaszewska (WoWaKin), a band that has been proving since their debut at the New Tradition Festival in 2016 that tradition doesn't bite, it sweeps you off your feet. Their music is freedom, improvisation, and bravado, spiced up with inspirations from Radomszczyzna, Kielecczyzna, and Polesie Lubelskie. It's a sound that makes your legs know exactly what to do, and your heart instantly registers the tempo increase. They will be joined by Marta Maślanka, an outstanding cimbalom player known for projects with Michał Lorenc, Kapela Brodów, PersoPolish, and many other artists from the ethno and film scene. Her mastery of the Persian cimbalom will give the evening a unique, cinematic glow. Also appearing on stage will be Nina Kodorska – a vocalist with a powerful voice and impressive achievements, winner of the Grand Prix "Szansa na Sukces", collaborating with Adam Sztaba, Maja Kleszcz, Michael Bolton, and Karen Edwards, among others. Her interpretations will add drama, lightness, and pure listening pleasure to the event. And to make sure the dance whirlwind spares no one, Orkiestra Galicja joins the lineup, known for their lively arrangements and outrageously good stage energy. This is a crew that can get any party going, even if it takes place in Adamczysze itself. Come. Dance. Allow yourself a bit of baroque fantasy and modern joy. The music will do the rest. ⚠️ ATTENTION! We do not provide seating in the hall! With us – just like in a barn – there will only be a dusty floor! 🎟️ TICKETS: https://biletyna.pl/milosc-w-adamczysze/warszawa
The purchase of an ad ticket is made on the website of the official ticket distributor. Keep in mind that if the seats are numbered, and the tickets are disputed by several companies, then each of them provides a different pool of seats to choose from
